“Folk” and “glam” are not often used in the same sentence, but after hearing the debut single from The Kolars, maybe they should be. The self-described folk/glam duo, comprised of Rob and Lauren Kolar (from He’s My Brother, She’s My Sister), are recording new material and gigging up and down the west coast all month in support of The Revivalists.
Check out the accompanying video to their single above, featuring some very cool snapshot-graffiti animation courtesy of BLU. You can also hear He’s My Brother, She’s My Sister’s “How’m I Gonna Get Back Home” at the end of the Lincoln episode of “Crossroads of History!”
In today’s LA Times, critic Robert Lloyd listed “Crossroads of History,” the new comedy series we’re music supervising, as one of his new TV Picks! Each episode of “Crossroads,” which highlights hilariously overlooked turning points in history, premieres Thursday nights on the History Channel as part of their new “Night Class” block.
UPDATE: Just days later, The NY Times also singled out “Crossroads of History” as one of the best new comedies on TV!
Catch up on the first 2 10 minute episodes of COH below, and set you DVR to record “Night Class” on Thursday nights on History!
Set your DVRs to record tonight’s premiere of “Night Class,” a new 30min block of comedy History Channel is packaging that includes 3 new short-form series.
We have the pleasure of music supervising one of those new shows, “Crossroads of History,” which mines its genius dark comedy from absurd but absolutely true historical moments. Created by and starring Elizabeth Shapiro, the first episode (a taste of which you can see in the teaser above) also features Paul Scheer from “The League” and Josh Fadem of “30 Rock.”
Below is a teaser for another member of #NightClass: “Great Minds With Dan Harmon,” featuring the “Community” creator geeking out on music with Beethoven (played by Jack Black).
11:30pm EST/10:30PM on History every Thursday starting Feb. 25th.
We’ve been working on a lot more long-form material here at Woofer and we’re excited that one of those projects, “Crossroads of History,” is finally about to premiere this Thursday on the History Channel at 11:30pm.
Each episode highlights a crucial, hilarious, and yet surprisingly little-known moment in history. As the music supervisor (and history buff), I’ve thoroughly enjoyed researching the diverse array of periods and styles (e.g. fin de siècle Vienna, American Civil War, pre-Columbus Caribbean), and working with our composers (and artists like Nik Freitas and He’s My Brother, She’s My Sister) to bring that sound to life.
History has just released the first teaser for the show, which is part of a whole new block of comedic content they’re promoting together as #NightClass, which also includes “Great Minds with Dan Harmon” (the creator of “Community”) and “How To Lose the Presidency.”
“Crossroads” was created by writer/actress Elizabeth Shapiro, and also features the talents of Paul Scheer (“The League”), Brian Baumgartner (“The Office”), Jack McBrayer (“30 Rock”), Lou Diamond Phillips (“Blindspot”, La Bamba), Angela Kinsey (“The Office”), Keir O’Donnell (“Fargo”), Wayne Knight (“Seinfeld”), as well as fellow Maker Studios creator Lloyd Ahlquist (“Epic Rap Battles of History”).
Hope you get to check it out, learn something, and laugh along the way!
Last month the Prohibition Jazz night we’ve helped assemble, Skin & ‘bones, debuted to a lively full house. We know we left the crowds inside and out wanting for more, so we’re happy to invite you to another installment, next Wednesday, Oct. 28th at the awesome 432 N. Fairfax (aka No Name or Community Bar).
This special Halloween-themed night will feature the same raucous, sexy and fun atmosphere of the first show, plus a drop of New Orleans voodoo magic, rhythmic spell casting, and dark songstress sorcery.
Skin & ‘bones is centered around an all-star 10-piece New Orleans-style jazz band, Lizzy and the Triggermen — made up of a dream team who’s played with everyone from Cab Calloway to Wynton Marsalis to Woody Allen — and helmed by the vocal stylings of Elizabeth Shapiro. Add in guest vocals from some of our favorite music and film friends, along with world class tap-dancing and champion swing dancers, and it makes for an exhilarating night that’ll have you up on your feet with your jaw hanging down.
Wednesday, October 28th @ 8pm
432 N. Fairfax, LA 90036
Come. Dance. Get Naughty. Help us raise the spirits of the dead, debauched and dreadfully behaved….
RSVP ABSOLUTELY NECESSARY FOR ENTRY
skinandbonesnight@gmail.com
Arrival before 8pm strongly recommended. Reserve tables in advance.
Click the image above to download our latest recap of new releases
In this month’s edition of #thinkbeforeyoutweet, Meek Mills’ allegations of Drake using ghostwriters for his guest verse on “R.I.C.O.” thankfully does nothing to diminish the quality of the song. While the unusual trap-meets-classical production and Drake’s punchlines steal the show, Meek still brings the energy, making this a contender for hip-hop song of the summer.
The mix also features some rich blues and soul musings (Leon Bridges, Melody Gardot), synth-y smash hits from Galantis and Major Lazer, bouncy indie-pop hooks (Cayucas, Ryn Weaver), and a plethora of indie rock jams that’ll be sure to you get moving!
Amidst all the press about Apple launching its streaming service Apple Music today (including the star-studded Beats 1 radio station), I found an interesting article about the evolution of streaming music. Amazingly, the technology was predicted almost 130 years ago!
Whether Apple has elevated the platform to another level is still up for debate (disclaimer: I haven’t had the opportunity to try the service myself yet). However, I do feel that streaming is the method of consuming music both of the present and future due to its unparalleled convenience and scope.
The main issue holding it back is how to make it financially feasible for the consumers, artists, and streaming services themselves. Having gone through a similar technological transition (mp3s) largely shepherded by Apple, though, I’m confident the bean counters can make it work. The demand for good music will always be there.
We’re big fans of how garage pop’s lo-fi production balances out otherwise sugary hooks, crafting a fun and fuzzy brew. Sick Sad World’s debut LP “Fear & Lies,” the brainchild of Olympia native Jake Jones, is a great summer record with plenty of west coast vibe, at times recalling early Beach Boys records (albeit sung by weed-smoking skaters born of the mp3 age).
This month’s mix also features plenty of hip-hop (Curren$y, Raekwon), a killer country tune from Nicki Bluhm, synth sounds from Phantogram and Passion Pit, a bevy of singer/songwriters, indie rockers, roots rockers, and more!
BONUS
Speaking of Beach Boys, check out “Love & Mercy,” an exploration of Brian Wilson’s mad genius, in theaters now:
Our latest mix of tunes includes tracks from Courtney Barnett’s stellar sophomore release, which sounds like the best record Liz Phair never made (albeit with a nonchalant Aussie accent). Her keen eye, clever wordplay, and relaxed delivery are definitely worth a listen.
Speaking of flow, there’s also a lot of great hip-hop thanks in part to contributions from the two young bucks Kendrick Lamar & Tyler, the Creator. There’s also a bunch of cool blues, indie folk, and a few bouncy tracks to get yer head bobbin’.
BONUS:
If you haven’t yet caught a screening of the Kurt Cobain documentary “Montage of Heck,” it’s airing on HBO tonight, May 4th. Chock full of animated sequences taken from his diary, it’s a very unique and revealing take on the singer’s brief life produced by his daughter Frances Bean.
Last week was a wild one in Austin, as it tends to be during SXSW. This month’s mix includes some discoveries from the festival, like the Malian desert blues troupe Songhoy Blues, who had to flee their homes due to militant extremists’ ban on music (I guess proving that the world did need a “Footloose” remake after all).
Songhoy’s debut LP was produced by the Yeah Yeah Yeah’s Nick Zinner, who also guests on a few tracks. If you want to hear more about the unlikely odyssey of SB and their fellow musicians in exile, check out the trailer for the doc “They Will Have to Kill Us First” at bottom, which also premiered at the festival.
The playlist also features some great hip-hop from Ghostface Killah (continuing his run of live-band-backed albums); beautiful acoustic tunes from Andy Shauf, Iron & Wine, and the always engaging Jose Gonzales; plus plenty of indie rock, and some seriously heavy sludge from Torche.
In today’s LA Times, critic Robert Lloyd listed “Crossroads of History,” the new comedy series we’re music supervising, as one of his new 
